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Narrator:
Always looking for a new challenge, Dieter Moor was a
lucky strike for the production. Dieter originally worked
in theatre and most of his acting career has been on stage.
In the early 1980's however he moved into catering, running
a restaurant in Sri Lanka for three years, before becoming
a presenter and personality on radio and television. Hes
best known in Germany for the highly successful TV show EX!
contact through Barbarella
Entertainment or www.barbarella.de
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Director:
Mark Cairns studied at art college, before deciding to pursue
a career as a writer/director.
His first film 'Upon The Land' (1992) - combined animation
with live action and was shot with a clockwork Bolex in a
derelict house in the heart of London.
The film, supported with £5.000 from the British Film
Institute, was shown in festivals around the world.
From 1997 to 2001 three more short films followed: 'Pass Over
', 'Lighthouse ' and 'Terminus' All Marks films are
characterised by their multi layered scripts and visual style.
In 2000 the BBC discovered Mark, signing him to write and
direct a film about love and the internet. 'Talk To Me' was
well received when shown by the BBC.
At present Mark lives in Glasgow and is writing for BBC Scotland
on a new weekly drama called 'River City'. In addition he
has two features in development and has written a pilot for
a television series.
contact through StarCrest |
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Producer:
Carl Schmitt started as a production trainee at German television,
before traveling to London in the early 90's to study Film
& Television production at the prestigious Royal College
of Art (RCA).
Carl met Mark Cairns in his first year at the RCA. They became
a producer / director team and have worked together ever since.
In 1993, his final year at the college Carl set up his own
production company to produce his graduation film 'CALLiOPE'
which starred the musician and actor, Phil Collins in the
lead role.
After leaving the RCA he produced a 60 min. comedy /drama
called 'The Token King' for WDR television Cologne and Channel
4 London. This introduced the now Oscar nominated, Samantha
Morton to the screen.
In the same year 'The Token King', was produced, the book
'Life Goes On' was also published and since then its
been one of Carls dreams to turn the book into a film.
Although a fantastic story, Carl knew that in Germany there
was little chance of making it into a feature film.
So he and Mark decided on a 'small solution' - a documentary
containing elements of a feature film to hopefully give some
flavour of how a feature could look. What Carl didnt
know then, was that it would take another 8 years until the
cameras rolled.
contact through StarCrest
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Line Producer:
Christin Meyer studied film and television production at
the filmschool Potsdam-Babelsberg, Germany
'Life Goes On' is her graduation film and has given her the
chance to finish college with a challenging feature length
docu-drama.
Apart from various activities within TV and cinema production
(among others for ABC Euro RSCG, Sat 1, ZDF, ARTE, MDM), Christin
has also worked for the Filmfestival Hamburg and The International
Film Festival of Berlin.
In 2001, Christin set up the film production company: EIDOS
film, along with author Oliver Rauch, the cameraman Boris
Becker and the TV Producer Anke Jungfleisch.
contact Christin
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Production
Design :
Angelica Boehm studied English and German literature, before
she decided to pursue an artistic career. From 1990 to 1997
she studied interior design, sculpture and history of art.
After her diploma she studied production design at the filmschool
in Potsdam-Babelsberg. She graduated successfully in 2001.
Throughout her degree, Angelica worked as a production designer
on short films, pop promos and commercials, in addition, she
worked on exhibitions and CD ROM projects.
'Life Goes On' was a special challenge for her and her team.
As neither the time or the money was available to build full
scale sets, Angelica had to find locations which could be
transformed into whatever the script needed and she frequently
had to improvise with whatever was to hand.
contact Angelica
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Director of Photography:
Stefan Grandinettis early training was as a hotel manager
and barkeeper. Ten years ago he was working in hotels like
the Interconti in Berlin or the popular restaurant 'Fledermaus'
in New York, before deciding to join the film business.
As a guest student and through various trainee schemes he
won a place on the cinematography course at the filmschool
in Potsdam. While studying there he took the opportunity to
gain valuable experience in the 2nd unit on such large scale
productions as Duel Enemy At The Gates
and Resident Evil.
For 'Life Goes On' Stefan was using a new optical system which
was specially designed for a mini DV camera and never used
on a feature film before. More new ground was being broken
as Stefan was shooting a large number of scenes destined for
blue and green screen effects to be completed in post production.
No-one knew whether the quality of the image would stand up
to this. 'Life Goes On' has been Stefans biggest challenge
so far but he enjoyed every minute of it.
contact Stefan
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| Costume
Design:
Sonja Hesse - as a child of the 80's, the decade of glamorous
fashion and designs had always wanted a career in fashion.
Sonja became a costume designer, almost by accident. She joined
a practical course in costume design which involved working
for the summer theatre in Leipzig, Germany. From that moment
she knew that she wanted to work in theatre and film.
Due to the production dates changing, at very short notice
we found ourselves without a costume designer. Fortunately
Sonja stepped in at the last minute and in Summer of 2001
she joined the team. Once on the film, she created all our
most beautiful and intricate costumes, designing everything
from Berlin civilians to Ufa ball gowns as well as researching
authentic military uniforms. In January 2002 she gained her
diploma and is now a full time costume designer for film and
theatre.
contact Sonja
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Make-up:
The make-up artist Ulrike Geist is the second of our crew
to hail from Switzerland. After high School and art college
Ulrike took the classical route to become a make-up artist,
training to be a hairdresser before joining a make-up course.
Later studying film and photographic make-up in Toronto, Canada
before returning to Europe.
She now works in theatre as well as for film and television.
Her stage work includes "Phantom of the Opera" in
Hamburg and various productions at the famous 'Bregenzer theatre
festival'.
During 'Life Goes On' we required her special knowledge of
period hair-styles and her expertise with wigs in order to
recreate 1940's styles, making our extras look as authentic
as possible.
contact Ulrike
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The whole team (apart
from the Producer who is searching for money):
| NARRATOR |
Dieter Moor |
| DIRECTOR OF PHOTOGRAPHY |
Stefan Grandinetti |
| ASSISTANT CAMERAMAN |
Lorenz Trees |
| 2. ASSISTANT CAMERAMANN |
Jasmin Wagner |
| CHIEF ELECTRICIAN |
Philipp Gerhardt |
| GAFFER |
Sebastian Lindner
Oliver Buschner
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| GRIP |
Gregor Schönfelder |
| LOCATION SOUND |
Hans Jürgen Mörsch |
| ASSISTANT LOCATION SOUND |
Benny Duncker |
| PRODUCTION DESIGN |
Angelica Boehm |
| ART DIRECTOR |
Gabriele Schneider |
| EXTERIOR PROP |
Corinna-Juliana Geißler |
| INTERIOR PROP |
Roland Pfuhl |
| ASSISTANT |
Jenny Roesler
Madlen Graßmann |
| SET-BUILDER |
Veronika Grosse
Andre Nunes
Dany Hernandez |
| MODEL MAKERS |
Dr. David Campbell
Julia Marusic
Veronika Grosse |
| COSTUME DESIGN |
Sonja Hesse |
| ASSISTANT COSTUME DESIGN |
Winnie Schirmer |
| MAKE-UP |
Ulrike Geist |
| ASSISTANT PRODUCTION MANAGER |
Nathalie Arnegger
Anke Jungfleisch |
| SECOND ASSISTANT DIRECTOR |
Maria Dost |
| LOCATION MANAGER |
Robert Wolff
Arndt Stepper |
| PRODUCTION RUNNER |
Henk Heuer |
| PRODUCTION DRIVER |
Marius Potoczny |
| TRANSPORT CAPTAIN |
Peter Klinke |
| CATERING |
Silvia Neumann |
| ACCOUNTANT |
Margot Bolender
Ursula Gaida |
| CASTING |
Gerrit Haaland |
| SCRIPT SUPERVISOR |
Robert Lyons |
| SCRIPT/ CONTINUITY |
Silke Christina Engler |
| STILL PHOTOGRAPHER |
Ahmet Golbol
Christian Anters |
| RESEARCH |
Roland Pietsch |
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| INTERVIEW EYEWITNESS |
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| INTERVIEWS |
Carl Schmitt
Michael Lorenz |
| CAMERA |
Martin Gschlacht |
| SOUND |
Viktor Loos |
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| 2ND UNIT TEAM FRANKFURT |
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| CAMERA |
Keith Surridge |
| ASSISTANT CAMERA |
Boris Hölter |
| LIGHTING |
Michael Reich |
| GRIP |
Andreas Hübscher |
| LOCATION MANAGER |
Yvonne Wassong |
| SOUND |
Viktor Loos
Philipp Gnad
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| DIGITAL POST-PRODUCTION |
Magna
Mana Bildbearbeitung |
| DIGITAL ARTISTS |
Mark Dauth
Bernhard Lenz
Gunnar Radeloff
Frank Vogt
Dirk Zielenbach
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| DIGITAL POST-PRODUCTION SUPERVISOR |
Frank Vogt |
| EDITOR |
Dietmar Kraus |
| ASSISTANT EDITOR |
Susanne Ocklitz |
| FOLEY ARTIST |
Peter Roigk |
| SOUNDDESIGN |
Uwe Kemter |
| MUSIC |
Eike Hosenfeld
Moritz Denis |
| LINE PRODUCER |
Christin Meyer |
| FIRST ASSISTANT DIRECTOR |
Gerrit Haaland |
| CO-PRODUCER |
Jens-Eric Vest
Birger Laube |
| PRODUCER |
Carl Schmitt |
| SCRIPT |
Mark Alan Cairns
Carl Schmitt |
| DIRECTOR |
Mark Alan Cairns |
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| EXTRAS |
| Armin Frost, Tim
Wagner, Guido Alfs, Georg Kautzor, Frank Brückner, Sascha
Blum, Sigurd Bemme, Asta Graeben, Tobias R. Pingler, Martin
O'Shea, Andreas Mühlbach, Bastian Schreitling, Hans Peter
Kruchten, Heinz Schwarzenberger, Gerhard Kuschel, Kay Meinel,
André Romberg, Florian Grundmann, Elisa Stehr, Sascha
Bluhm, Julia Klawonn, Josefine Neuschutz, Adrian Viereck, Christian
Schulze, Andreas Weber, Horst Dahlke, Werner Haupt, Norman Ender,
Stuart James Austen, Gerhard Lackner, Josefine Nemetz, Sigrid
Leubner, Frances Marabito, Jennifer Oellerich, Peter Jaroschek,
Bernd Masurczak, Ute Anke Baumbach, Frank Hofmann, Alex Biegal,
Macie Chichotzki, Class Würfel, Ulf Erik Arndt, Willi Kittel,
Mike Engel, Ricardo di Nicola, Georg Herr, Bern Engler, Jens
Kerfers, Jan Kramer, Denis Römer |
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